Download Misanthrope mp3

Artist: Misanthrope: mp3 download    Genre(s):  Metal: Doom     Discography:      Misanthro-Therapie    Year: 2004    Tracks: 13      Misanthrope Immortel    Year: 2000    Tracks: 10 France's Misanthrope ar a progressive death alloy band wHO, unlike to the highest arcdegree of their stylistic brethren, in reality lean towards the 'progressive' more than so than the 'death' portion of the say. Formed in 1988 by vocalist/guitarist Phillipe De L'Argilière, the stripe made their recorded debut with 1991's name-explaining Hater of Mankind -- a split E.P. with Chileans Torturer. On this and their subsequent albums, Variation on Inductive Theories (1993), Miracles: Totem Taboo (1994), and 1666...Dramatic art Bizarre (1995), the band's challenging efforts to mix energetic alloy riffs, incongruous clip changes, and even out of work words fusion, often proven more than puzzling than actually successful -- no thanks to their alternated use of both French and English lyrics. But with 1997's much more cohesive Visionnaire, Misanthrope's maverick metallic compositions were finally brought into focus and made to make mother wit, preeminent to their low gear major brush with international recognition. Since then, the group has continued to expand the on the face of it boundless possibilities of their stylus with every release, to card 1998's Libertine Humiliations, 2000s outtakes appeal, Recueil d'Écueils: Les Épaves et Autres Oeuvres Interdites, and Immortal Misanthrope, and 2003's Sadistic Sex Daemon. Through it all, L'Argilière has remained the only ceaseless in Misanthrope's account statement, and has worked with over a twelve musicians. Listing them all hither would, of course, be a quite bootless use, merely for the interest of data, his in vogue encouraging cast includes Jean-Baptiste Boitel (samples/keyboards), Gregory Lambert (lead-in guitar), Anthony Scemama (guitar), Jean-Jacques Moréac (bass), and Gaël Feret (drums).

Watch The View reveal new album details at V Festival

The View have told NME.COM that their unexampled album volition be released "early succeeding year".


Speaking in a video interview at V Festival, bassist Kieren Webster said that the band expected the album would surprise a set of people.


"We've got some strings on it and some keys on it in places," he explained. "It's altogether different from the number one album, just it's good.


"There's some strange topics of songs, a circle better than your common [themes of] love/hate. 'Glass Smash' is about a couple throwing glasses at each other after a night out."

Webster also confirmed that Owen Morris, wHO produced 2007's 'Hats Off To The Buskers', worked on the new record album too.


To watch the interview in full, click below:



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Mixology 11 - Mixed By Bexta & Sophie Sugar

Mixology Vol 11

One of the most prominent dj/producers in Australia�s dance music history, BeXta (a.k.a Rebecca Poulsen) has

Amy Winehouse - Winehouse Rehearsing Hard For Weekend Gigs

Troubled star AMY WINEHOUSE has begun rehearsing for her imminent live performances at the weekend (beg28Jun08), despite still receiving treatment in hospital for severe lung problems.

The star's representative confirmed she had started working on her set for upcoming gigs at English music festival Glastonbury on Saturday (28Jun08) and Nelson Mandela's 90th birthday celebrations in London on Friday (27Jun08).

Although a spokesperson insists Winehouse's appearances at the show's "looks likely", she will have an anxious wait for "the final sign-off" from worried doctors.

The Rehab singer is receiving treatment for traces of lung disease emphysema at a Marylebone, London clinic after collapsing at her home in the British capital last week (beg16Jun08).

And despite severe warnings from medical specialists about her tobacco habit, Winehouse shocked onlookers on Monday (23Jun08) when she sparked up a cigarette outside the clinic where she is being treated.

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Pretty Ricky: Get Ready For Joy, In Bigger Than The Sound

There are many benefits to spending 13 hours a week on an airplane. I just can't think of any of them at the moment.

This is probably because I am on an airplane right now, winging my way from New York to Los Angeles once again, for another episode of "FNMTV," Pete Wentz's Friday night video show that I am rather inexplicably a part of. For the next, oh, 10 weeks, that means I will effectively be bicoastal, an official jet-setter and the kind of guy who gets to lounge about in Admiral's Clubs all day long.

That all sounds very glamorous, but I assure you it's not. Because it also means that I always feel tired, jet-lagged and half-drunk (without the whole "getting drunk" part, unfortunately); that I have neglected my duties as general manager of three fantasy-baseball teams; and — perhaps most troubling — that I don't have the slightest idea what is happening anywhere in the world. At all.

I missed the whole "terrorist fist jab" thing, I had no idea Tim Russert had died, and I completely spaced on both the Celtics' Game 4 comeback and Tiger's heroics at Torrey Pines. I am basically like a 5-year-old at this point, blissfully unaware of anything, constantly amazed by everything. You could probably distract me just by jangling a set of keys in front of my face. In fact, if you see me, please don't attempt to do this.

Of course, being a confused, punch-drunk toddler isn't all bad. Come to think of it, it's pretty much the only good thing about spending so much time on airplanes. For one, I can safely say that my appreciation for Pretty Ricky is currently at an all-time high.

Confused? Let me give you a bit of backstory. Late last month, just as all my "FNMTV" hysteria was ramping up, Pretty Ricky — the hyper-libidinous, barely literate R&B quartet perhaps best known for wearing matching "Phantom of the Opera" costumes and inspiring a series of YouTube tribute clips in which shirtless young men summarily ravage furniture — unleashed the epic (and episodic) "21 Days Of 4Play" series, a collection of clips designed to hype both their upcoming album, 80's Babies, and their newest member, a bulgy, preening lover-man who goes by the name of 4Play (you can probably also guess what his primary interest is). As is the case with everything PR do, the videos are low-budget, nonsensical and, of course, obsessed with all things coital. They are full of dramatic soliloquies, shirtless games of craps and grammar lessons given from the back of an SUV. There are impromptu performances filmed on back porches with insane jungle motifs, rambling odes to females delivered from what appears to be King Tut's tomb (or a rec room), and speeches about naked recording techniques given by a gentleman wearing only a wife-beater and jockey shorts (and a 20-pound dookie chain, of course).

The series is, if you haven't gathered, perhaps the most amazingly overwrought bit of lo-fi celluloid to hit the small screen since R. Kelly's legendary "Trapped in the Closet" was foisted upon the unsuspecting masses. It is that good. Probably even better.

Of course, since I was traveling so much, the series came and went without me even noticing, and it wasn't until last week, when my alarmingly brilliant co-worker — and fellow Ricky obsessive — Jim Cantiello sent me a hyperbolic e-mail about it (sample line: "Holy crap. I just can't even contain myself. You must watch them. All of them") that I actually got around to watching all 21 Days. And suffice to say, my reality hasn't been the same since.

Perhaps it's because I am jet-lagged, exhausted and relatively brain-dead, or maybe it was just the result of having nothing else to do, but I have spent basically every waking minute living Pretty Ricky. In airport terminals, hotel rooms and taxi cabs, I have watched and rewatched the series, taking breaks only to eat, sleep and fire off agitated e-mails to my wife about Pretty Ricky (she does not, shall we say, share my excitement). I know every scene, line and location by heart. I have become obsessed with the lives, sartorial choices and idiosyncrasies of the group members, so much so that I find myself wondering why Slick'Em spends most of Episode 13 running a lint-roller over his pectorals, or counting the number of times Spectacular licks his lips, or even marveling at Diamond Blue's commitment to the whole 80's Babies concept, which is so deep that he's taken to dressing like all three members of Bel Biv DeVoe simultaneously and delivering lines like, "I like girls with one toe, five toes, 10 toes" with a straight face (Blue is 100 percent the MVP of the entire "21 Days" series). To be honest, I don't care that much about 4Play, but I'm even willing to give him the benefit of repeated viewings.

And, like I said, the reason for this is probably because of my current situation and mental state (Pretty Ricky are the jangliest of keys, it would seem), but I am OK with this. In fact, I'm glad I'm this way. There is some sort of joyous ridiculousness to the entire series, something I'm sure I'd miss (or at least try to overthink) under so-called "normal" circumstances.

Because as a music journalist, I know I would let my head get in the way of all this. Perhaps I would feel guilty for liking it so much, because, you know, it's the lowest form of art, and maybe Pretty Ricky aren't smart enough to realize the joke's on them (I did the exactly this with Kelly's "Trapped" series, penning a hand-wringing "open letter" to him in an edition of Bigger Than the Sound that ran last year). Or maybe I'd spend hours trying to contextualize the entire series, to attach some sort of higher meaning to it all rather than just enjoy it.

And I'm glad I'm not doing that here. "21 Days of 4Play" is amazing simply because it's amazing. And the same goes for Pretty Ricky. There are probably deeper reasons why I love them both so much, but who needs that? Why use statements like "post-ironic" or "unintentionally hilarious" when simplicity will do? I happen to think super-horny dudes delivering salacious come-ons while wearing Versace silks (or relaxing in an Egyptian-themed room) are hilarious. I am OK with this.

Because, trust me: It's best not to think about it. Just sit back, turn you brain off, and get ready for joy.

You don't have to be a 5-year-old to figure it out. Or maybe you do.

Questions? Comments? Concerns? Hit me up at BTTS@MTVStaff.com.






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Gms and Wrecked Machines and Pixel

   
Artist: Gms and Wrecked Machines and Pixel

   Genre(s): 
Trance: Psychedelic
   

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Discography:


   
 Low Tech

   Year: 2005   
Tracks: 1

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Nine Inch Nails hammers concert ticket scalpers with new policy

NEW YORK - In a move meant to get fans into premium seats and bypass ticket brokers and scalpers, industrial-rock band Nine Inch Nails has reserved tickets to each of its upcoming summer tour dates for registered users of its website,...

PluggedIn set for launch

PluggedIn, a Web site focused on music videos and other music
offerings, is expected to launch Wednesday in public beta with
partnerships with Sony BMG, Universal Music Group and EMI and an
investment from Will Smith's Overbrook Entertainment.


PluggedIn.com will launch
with more than 10,000 music videos in a player with high-definition
capabilities and more than 1 million artist profiles. It also will
allow users to create their own profiles and create playlists.


PluggedIn and "strategic partner" Overbrook, of which producer
James Lassiter ("I Am Legend") and former CAA agent Ken Stovitz
also are principals, already have committed a combined $2 million.
PluggedIn CEO Jeff Somers said the company will be "actively
raising a bigger (financing) round shortly after launch."

The company has licensing and advertising revenue-sharing
agreements with all the major labels except Warner Music Group.
Somers said his company is in discussions with WMG about a
partnership and he is "very hopeful that they'll come on
board."

A WMG spokesman declined comment, but a source close to the company
confirmed the talks.

"Liaisons Dangereuses" in welcome Broadway return

"Liaisons Dangereuses" in welcome Broadway return

Les Liaisons Dangereuses





Fresh House of York (Hollywood Reporter) - Returning to Great White Way for its number 1 revival meeting since its 1987 premiere, "Les Liaisons Dangereuses" proves itself as relevant as ever in its delineation of malicious sexual game-playing.


Christopher Hampton's masterful adaption of the classic 1782 Daniel Chester French epistolary novel receives an excellent intervention in the hands of music director Rufus Frank Norris and a cast headlined by Laura Linney and, making his New York stage debut, British people doer Ben Daniels.


Although this adaptation doesn't quite an compare to the brilliant master Royal stag William Shakespeare Company production headlined by Alan Rickman and Nicholas Vachel Lindsay Duncan, it even so efficaciously conveys the necessary dangerous aviation of sensual menace surrounding the machinations of its spark advance characters, the scheming Marchioness de Merteuil (Linney) and the Don Juan-like seducer, Le Vicomte de Valmont (Daniels).


In this play, which is c. H. Best known for its 1988 film version "Dangerous Liaisons," sexual urge is not so a lot around heat as it is virtually exponent and manipulation. The idea is most chillingly conveyed in a scene late in the play when Valmont, wHO has made a Faustian bargain with the Marquee to seduce and then abandon the righteous and trusting Mme. de Tourvel (Jessica Collins), finishes off his prey patch repeatedly uttering the phrase, "It's beyond my control."


The fresh-faced, sweet-voiced Linney wouldn't seem an ideal choice for the scheming Merteuil, and indeed her performance has a forced melody at multiplication. Only it step by step gains in intensity, and by the clock time the play reaches its chilling close she is thoroughly convincing.


Still better is Daniels, effortlessly suave and charismatic as Valmont. His commanding physical presence and velvety song tones make more than credible the character's abilities of conquest, and he's heartbreaking in the final moments when Valmont realizes that he himself is the ultimate victim of his malevolent scheme.


Among the supporting players, Collins doesn't quite work the necessity printing as the trusting Tourvel; Mamie Gummer, girl of Meryl Meryl Streep, is highly amusing as the innocent young lady friend upon whom Valmont first sets his sights; and such veterans as Kristine Carl Nielsen and Hsian Phillips score in their small just pivotal roles. 





Drome

Irish short is chosen for Sundance

Irish short is chosen for Sundance

The Irish suddenly photographic film 'The Sound of People' has been selected to screen as share of the programme for the reality famous Sundance Plastic film Festival in the US.
The Neil Simon Fitzmaurice-directed plastic film is the only Irish Gaelic short to be chosen for the International Dramatic Shorts programme at the festival in Park City, Utah next month.
But 19 films in add up receive been chosen for the International Dramatic Shorts program.
'The Phone of People' stars Belfast worker Martin McCann as Stephen, an 18-year-old world Health Organization travels into his past and time to come in the space of a here and now.
Commenting on the film's choice, writer-director Fitzmaurice said: "I am absolutely over the moon or so acquiring into Sundance. Everyone worked heart and soul on this motion picture and this is a wonderful response."
The Sundance Film Festival runs from 17 to 27 Jan 2008; the new Brendan Gleeson and Colin Farrell-starring pic 'In Bruges' testament open up the fete.




Sunday All Over The World

Spears parenting book is postponed

Spears parenting book is postponed

A Christian publishing firm in the US has said that it has postponed plans to release a parenting record book by Lynne Spears, the mother of Britney and Jamie Lynn Spears.
Reuters reports that Lindsey Nobles, a spokesperson for publisher Dylan Thomas Admiral Nelson, said: "We have postponed the book indefinitely."
No cause was precondition for the decision.
The workings title for the book was 'Pop Culture Mommy: A Real Account of Fame and Menage in a Rag World'.
It was described as "a parenting book that's release to have faith elements to it" and was due come out in clock time for Mother's Day in the US in May.
Before this week it was announced that 16-year-old Jamie Lynn Spears was pregnant.
Representative Nobles said: "We understand that Lynne inevitably to expend time with her family now."

Vladislav Delay

   
Artist: Vladislav Delay

   Genre(s): 
Pop
   Ambient
   Dance
   Techno
   Blues
   

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Discography:


   
 The Four Quarters-(huume 005)-cd

   Year: 2005   
Tracks: 4


   
 Mix By Vladislav Delay

   Year: 2004   
Tracks: 17


   
 Anima (LP)

   Year: 2001   
Tracks: 9


   
 Anima

   Year: 2001   
Tracks: 1


   
 Ranta [VINYL]

   Year: 2000   
Tracks: 4


   
 None [09.06.2000]

   Year: 2000   
Tracks: 1


   
 Multila

   Year: 2000   
Tracks: 7


   
 Helsinki, Suomi EP

   Year: 1999   
Tracks: 5


   
 Ele

   Year: 1999   
Tracks: 3


   
 Entain

   Year: 1998   
Tracks: 5


   
 Max Ernst - Helsinki/Suomi

   Year:    
Tracks: 5

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A Helsinki producer whose "clicks + cuts" mode of ambiance makes for sluttish comparison to countrymates Pan sonic, Vladislav Delay (real call: Sasu Ripatti) has recorded splendid work for trey of Europe's most challenging electronic labels: Chain Reaction, Mille Plateaux, and Thomas Brinkmann's Max.Ernst. He grew up trained in idle words and still counts Philly Joe Jones -- the fiery drummer for the first gear Miles Davis Quintet -- one of his prime influences. Also earlier entering the world of electronics, Delay took side trips through the music of the earth (Brazilian, Cuban, African). After a few failed experiments with fusing electronics in a band environment, he began producing on his possess and grew to love the mid-'90s developments by German labels Chain Reaction, A-Musik, Mille Plateaux, and others. After a series of experimentations during 1996-1997 (afterward released, as by Conoco, on the Kemikoski full-length), his number one departure was The Kind of Blue EP, released in 1998 on his Huume label. During 1999, Delay released singles on Max.Ernst and Chain Reaction, leading to his record album debut, Ele, on the Australian label Sigma Editions. In early 2000, 2 more full-lengths followed; first base, Chain Reaction released Multila, then Entain appeared on Mille Plateaux. Before the ending of the year, Delay had debuted a housier incarnation, Luomo, with the Vocalcity LP for Forcetracks. Anima (2001), Demo(n) Tracks (2004), The Four Quarters (2005), and Whistleblower (2007) followed.





Klaus Schulze, Pete Namlook, Bill Laswell

REM to headline Oxegen

REM to headline Oxegen

REM




Jens Lekman

Kabat

   
Artist: Kabat

   Genre(s): 
Other
   

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Discography:


   
 Colorado

   Year: 1994   
Tracks: 12


   
 Devky Ty To Znaj

   Year: 1993   
Tracks: 18


   
 Ma ji motorovou

   Year: 1991   
Tracks: 13

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